In the Classical world, the language of cosmology was a means for framing philosophical concerns. Among these were issues of time, motion, and soul; concepts of the limited and the unlimited; and the nature and basis of number. This is no less true of Indian thought-Hindu, Buddhist, Jain, and Ājivika-where the prestige of the cosmological idiom for organizing philosophical and theological thought cannot be overstated. This essay focuses on the structural similarities in the thought of Plotinus and Buddhist cosmological/philosophical speculation. (...) It builds on research concerning the Buddha-field (buddhakṣetra), which identified two discrete numerologies central to this speculation: the thousands of worlds (sāhasralokadhātu) comprising the field of a single Buddha (buddhakṣetra), characteristic of the Hinayana, and the innumerable or incalculable (asaṃkhyeya) Buddha-fields filling the ten regions of space, characteristic of the Mahāyāna. The Enneads of Plotinus serve as a lens through which to view in a fresh way a broad range of difficult issues associated with Buddhist cosmology in three general areas. First, it asks whether Plotinus' understanding of Intellect and his treatment of infinite and essential number afford an understanding of the innumerables and thousands central to the concept of the Buddhā-field. This analysis involves a consideration of the Hindu creator god, Brahma, as 'demiurge.' Second, it suggests analogies between the One, Intellect, and Soul of Plotinus and the three Buddhist Realms-the Formless Realm, the Realm of Form, and the Realm of Desire. Finally, it explores the possibility that an understanding of the Enneads can provide a model for relating the cosmologies of the Hīnayāna and the Mahāyāna. (shrink)

This article examines the structures of the epico-Purāṇic divisions of time (yugas/sandhyās/kalpas) and asks what is joined by the Purāṇic ages known as yugas or joinings. It concludes that these structures reflect a combining of three systems of number—Greek acrophonic, Babylonian sexagesimal and Hindu decimal— represented as divisions of time. Since most interpretations of these structures, particularly yugas, focus on questions of dharma and its decline over the various ages rather than on number, it asks in conclusion if there is (...) any necessary relationship between number and dharma. (shrink)

This is an addendum to an earlier essay on the Purāṇic cosmograph interpreting it in terms of the principles of stereographic projection: Kloetzli (Hist Relig 25(2): 116–147, 1985). That essay provided an approach to understanding the broad structures of the Purāṇic cosmograph but not the central island of Jambudvīpa or its most important region (varṣa) of Bhārata. This addendum focuses on the works of Ptolemy as a resource for understanding the Purāṇic materials. It reaffirms the broad outlines of earlier conclusions, (...) but by understanding the major concerns of Ptolemy’s Geography, is able to provide a far ranging interpretation of the Purāṇic central island of Jambudvīpa. Viewed in the light of the main features of Ptolemy’s Geography, Jambudvīpa, the central island of the Purāṇic cosmograph, can be seen as a geograph modeled on the principles of Ptolemy’s Geography embedded within a larger cosmograph modeled on the principles of Ptolemy’s Planisphaerium—the earth at the center of the universe. Parallels between the seven Ptolemaic climates and the Purāṇic varṣas, the Nile and the Ganges, and the inhabited world (oikumene) and Bhārata deepen our sense of shared tradition as do representations of Bhārata alternately as Alexandria and Babylon. (shrink)

David Hume's writings on history, politics and philosophy have shaped thought to this day. His bold scepticism ranged from common notions of the 'self' to criticism of standard theistic proofs. He insisted on grounding understandings of popular religious beliefs in human psychology rather than divine revelation, and he aimed to disentangle philosophy from religion in order to allow the former to pursue its own ends. In this book, Professors David W Purdie and Peter S Fosl decipher some of Hume's most (...) challenging texts for the modern reader, while preserving the sharp intellect and undaunted nerve for which Hume is famous. Hume's spirit is brought alive for contemporary times and his writing is made accessible for its intended audience: the general public."-- Back cover. (shrink)

Future robots should have common sense about the world in order to handle the problems they will encounter. A large part of this commonsense knowledge must be naive physics knowledge, since carrying out even the simplest everyday chores requires familiarity with physics laws. But how should one start codifying this knowledge? What kind of skills should be elicited from the experts (each and every one of us)? This paper will attempt to provide some hints by studying the mental models of (...) force and motion. (shrink)

Waiting for Godot’s many commentators have emphasized the absurdity of hope in the play, but there has not been an account of how the play reprises hope’s historical transformation and weakening in modernity. This essay provides that account, arguing that Beckett’s Waiting for Godot sponsors a form of hope appropriate to the predicaments of modern societies. Godot stages the blockage of hope by reflecting the obsolescence and fragmentation of the religious and progressive legitimations for the concept that used to be (...) broadly convincing. Despite this blockage, however, Godot does not give in to nihilism. It, rather, models a form of responsible, self-aware hope appropriate to an historical situation where hope does not admit of rational justification. To develop this interpretation of the play and to defend its minimalist conception of hope, the essay draws on Theodor W. Adorno’s Negative Dialectics and aesthetics. (shrink)

As genealogy has gained greater disciplinary recognition over the last two decades, it has become increasingly common to call any historically oriented philosophy, such as Theodor W. Adorno’s, “genealogy.” In this article, I show that Adorno’s philosophy performs genealogy’s defining functions of “problematization” and “possibilization.” Moreover, it does so in unique ways that constitute a significant contribution to genealogical practice. Adorno’s method, here called “tragic genealogy,” is particularly well-suited to the genealogical analysis of traditional philosophical problems and to the critical (...) reanimation of declining, but ethically significant, values. Nevertheless, I also argue that Adorno’s philosophy cannot be assimilated into genealogical practice without rejecting or revising some of its Hegelian influences, particularly its philosophy of history and its modal metaphysics. (shrink)

We differ mainly, I think, in that Hyman is willing to indulge his taste for subtlety more extensively than I am. He seems comfortable with post-modern paradoxes like "the tendency of a literary work to refuse to give us a moral direction is itself a value" and believes that this refusal is properly based on the writer's incapacity to "make pronouncements about [the] world." It could be I mistake him here, and he means only to reject those solutions toutes faites (...) that are part of the didactic mode, in which case I agree once more. But I feel the thrust of his argument is to deny the existence of the first of the two abysses, frivolity and propaganda, into which, according to Camus, it is the task of the writer to keep from falling. To seek a strengthening of moral commitment in a literature that operates at "a level of awareness deeper than our moral and political judgments" is certainly to avoid exposure to propaganda; but it is also something of a logical—and psychological—contradiction in terms and therefore doomed to irrelevance or, in Camus' terms, frivolity. One cannot answer for individual variations on common aesthetic experiences, of course; there exist men and women and literary characters who find strength to take a moral stand in the contemplation of a Chinese jar or in what I called harpsichord exercises—the term includes, after all, Das wohltemperiertes Klavier—but such experiences, for all their abstract beauty, lack a social basis and a social relevance. The mimetic imperative is not so easily bypassed. Strother Purdy, professor of English at Marquette University, is the author of The Hole in the Fabric: Science, Contemporary Literature, and Henry James. He has also contributed "Stalingrad and My Lai: A Literary-Political Speculation" to Critical Inquiry. (shrink)

We make two major comments. First, negative reinforcement contingencies may generate some apparent “drug-like” aspects of money motivation, and the operant account, properly construed, is both a tool and drug theory. Second, according to Lea & Webley (L&W), one might expect that “near-money,” such as frequent-flyer miles, should have a stronger drug and a weaker tool aspect than regular money. Available evidence agrees with this prediction. (Published Online April 5 2006).

What I refer to is how our thought in inventing, designing, modifying, and using machines carries over into acts we do not consciously associate with them—like writing or reading poetry. An airplane in flight may be “pure poetry,” or a Ferrari “a poem in steel”; it intrigues me to consider that beneath such object comparisons an object-of-thought connection may be made. Or in other words, there may be really something to a hackneyed compliment like “poem in steel.” My preference for (...) thought form over object form makes me less interested in machines that we can see than in those that we can’t, and it makes me direct my inquiry along two lines, concerning two questions about invisibility. The first involves the history of technology: How is it that machines “disappear”—become less visible, impinge less and less upon popular consciousness? The effect cannot be imputed entirely to familiarity. The second involves the history of literature: If machines have disappeared, are there “disappeared”—or “invisible”—machines in literature? It is reasonably clear that we go to considerable lengths to hide the machines that surround us and that we choose, or our artists choose, insofar as such choice can be located, to restrict the appearance of machines in art.3 Commonly their restricted appearance in art is understood as a kind of resistance to some form of machine takeover, while their concealment has only uncommonly received analysis and is not generally discussed in context with the matter of artistic representation. But we do accept, at least in theory, the idea that style of living and style in literature are connected. If the machine penetrates our style of living, then—and this is the end of my inquiry—these invisibilities are of interest to literary criticism, for they have something to do with the way literature is written, with whether or not, that is, writers choose to describe machines, use them as characters, or give them any role at all to play in surface structure. Since the artist often works to reveal what his society works to conceal and since the postmodern period has so far been one of crisis in the relations between society and technology, we may expect to find in postmodern fiction, or in writing to come, some greater revelation or simple exposure of the workings, than we could have seen before. 3. I use “restrict” in a statistical sense, for since the beginning of the Industrial Revolution there have been artists to celebrate the machine; today’s hyperrealist movement offers contemporary examples. These artists—Tom Blackwell, Ron Kleemann, Ralph Goings, and others—work a transformation like that of Andy Warhol with the pop object. They present not so much a celebration as an effort to turn looking into seeing, here directed at automobiles in particular, so much a part of everyday life as to have become indistinguishable from one another and as a species from the other parts of the semiurban landscape—the mailbox, the front lawn, the visiting relatives staring into the camera. Strother B. Purdy is the author of The Hole in the Fabric: Science, Contemporary Literature, and Henry James. His previous contributions to Critical Inquiry are “Stalingrad and My Lai: A Literary-Political Speculation” and “Reply to Lawrence W. Hyman. (shrink)

Howard Phillips Lovecraft’s work of fiction can roughly be grouped into three distinct categories, each evoking a singular extraordinary state of mind. Poe-inspired tales of the macabre such as “The Tomb” (1917) and “The Statement of Randolph Carter” (1919) produce terror because of the atmosphere they convey and because of the particular end the main characters meet. Lovecraft’s later “Yog-Sothothery” or work in the Cthulhu Mythos tradition, including his signature pieces of weird fiction “The Call of Cthulhu” (1926) and (...) “The Shadow over Innsmouth” (1931), inspires ‘horror’ because the life-worlds of the protagonists in these stories are utterly destroyed. However, the gentleman of Providence is also known for a different sort of fiction. His Dunsanian tales—among them short stories such as “The White Ship” (1919), “Celephaïs” (1920), and the three works“ The Silver Key” (1926), The Dream-Quest of Unknown Kadath (1926–27), and “Through the Gates of the Silver Key” (1932–33; with E. Hoffmann Price), centered on the exploits of Lovecraft’s recurring character and alter ego Randolph Carter—are epitomes to this feat. These prehistoric or dreamland tales do not inspire ‘terror’ or ‘horror’; rather, they predominately seek to evoke the extraordinary state of mind called ‘wonder. This article offers a preliminary exploration of Lovecraft’s relationship with wonder, highlights what wonder is, how Lovecraft was exposed to wonder at an early age, and argues that he developed a lifelong positive relationship with this particular state of mind. (shrink)

The Histories of Anthropology Annual presents diverse perspectives on the discipline’s history within a global context, with a goal of increasing awareness and use of historical approaches in teaching, learning, and conducting anthropology. The series includes critical, comparative, analytical, and narrative studies involving all aspects and subfields of anthropology. Volume 11, Historicizing Theories, Identities, and Nations, examines the work and influence of scholars, including Franz Boas, Ruth Benedict, John Dewey, Randolph Bourne, A. Irving Hallowell, and Edward Westermarck, and anthropological (...) practices and theories in Vietnam and Ukraine as well as the United States. Contributions also focus on the influence of Western thought and practice on anthropological traditions, as well as issues of relativism, physical anthropology, language, epistemology, ethnography, and social synergy. (shrink)

Things and Their Place in Theories Our talk of external things, our very notion of things, is just a conceptual apparatus that helps us to foresee and ...

The first ever description of how evolutionary principles can be applied to questions of health and sickness.

Reproductive autonomy is central to women’s welfare both because childbearing takes place in women’s bodies and because they are generally expected to take primary responsibility for child rearing. In 2005, the factors that influence their autonomy most strongly are poverty and belief systems that devalue such autonomy. Unfortunately, such autonomy is a low priority for most societies, or is anathema to their belief systems altogether. This situation is doubly sad because women’s reproductive autonomy is intrinsically valuable for women and also (...) instrumentally valuable for the welfare of humankind. This paper takes for granted the moral and practical necessity of such autonomy and digs deeper into the question of what such a commitment might entail, focusing on the mid-level policy making that, at least in the US and Canada, plays a significant role in shaping women’s options. This paper examines a large teaching hospital’s policy on reduction of multifetal pregnancies. The policy permits reduction of triplets to twins, but not twins to a singleton. As there is no morally relevant difference between these two types of reduction, it is evident that inappropriate medicalisation can still limit women’s autonomy in undesirable ways. (shrink)

From the author of "For Common Things" comes a provocative look at the meaning of American freedom. Purdy works from the stories of individuals: Frederick Douglass urging Americans to extend freedom to slaves, Ralph Waldo Emerson arguing for self-fulfillment, and others.

In this paper, I critically examine Myles Brand’s criticisms of what he calls the Standard View of the role and value of intercollegiate athletics. According to Brand, the Standard View, held by most faculty members, undervalues college sports and should be replaced by the Integrated View that properly stresses the educational value of participating in athletics. I claim that Brand’s analogical argument has a variety of problems. I show that Brand’s conclusion, derived from his attempt to compare the experiences of (...) student-musicians and student-athletes is unpersuasive, yet his argument forces us to confront persistent and important questions about liberal arts education and the role and value of the arts, especially music, in higher education. (shrink)

Emotions can be explained as specialized states, shaped by natural selection, that increase fitness in specific situations. The physiological, psychological, and behavioral characteristics of a specific emotion can be analyzed as possible design features that increase the ability to cope with the threats and opportunities present in the corresponding situation. This approach to understanding the evolutionary functions of emotions is illustrated by the correspondence between (a) the subtypes of fear and the different kinds of threat; (b) the attributes of happiness (...) and sadness and the changes that would be advantageous in propitious and unpropitious situations; and (c) the social emotions and the adaptive challenges of reciprocity relationships. In addition to addressing a core theoretical problem shared by evolutionary and cognitive psychology, explicit formulations of the evolutionary functions of specific emotions are of practical importance for understanding and treating emotional disorders. (shrink)

Art history on the edge : iconology, media, and visual culture -- Four fundamental concepts of image science -- Image science -- Image X text -- Realism and the digital image -- Migrating images : totemism, fetishism, idolatry -- The future of the image : Rancière's road not taken -- World pictures : globalization and visual culture -- Media aesthetics -- There are no visual media -- Back to the drawing board : architecture, sculpture, and the digital image -- Foundational (...) sites and occupied spaces -- Border wars : translation and convergence in politics and media -- Art X environment -- The historical uncanny : phantoms, doubles, and repetition in the war on terror -- The spectacle today : a response to retort -- Coda : for a sweet science of images. (shrink)

Science is revolutionizing human reproduction. New techniques are already with us, such as artificial insemination, the freezing of sperm, in vitro fertilization and the use of surrogate mothers. Artificial wombs are clearly on the horizon.

Explores the nature and types of mystical experience and discusses the value of mysticism for humanity.